Thursday, 24 May 2012

Annotated Bibliography



Demidov, Oleg (2012).  Social Networks in International and National Security. In Security Index: A Russian Journal on International Security, 18:1, 23-36.
(Accessed online at: http://dx.doi.org/10.1080/19934270.2012.634122)
In this article, Oleg Demidov examines the impact that internet technology and social networking in particular have on security. He analyses the possible destabilizing effect technology can have on national security, ultimately questioning whether it is a security risk or not, with reference to the Arab Spring. Demidov defines ‘social networks’ first, rightfully highlighting that it is a broad spectrum, and narrowing it by giving examples, such as Facebook and Google+, and referring to an approved definition of ‘social network’ to state key features sites must contain in order to be a social network. 
Demidov examines the role that Arab Spring played in government reform regarding social media. He states that although freedom and speech were largely supported by the international community, it is unlikely that social networking communities have the power to become a non-state actor, and that an international country would fuel the decline of a government. He outlines the threats that social networking poses, for example, cyber anonymity and terrorist threats online work towards destabilizing security because it is difficult to determine where threats come from. A key factor in his argument is that he provides the reader with strong possible alternatives, and highlights the strengths of governments supporting the use of social networks, for example using Twitter and Facebook as a ‘public announcement system’ to broadcast safety procedures in the event of a national emergency.
Demidov asserts that while social networking communities played an important part in Arab Spring, there is no need to view them as a security threat.

Tejada, C. (2012, May 8) China Expels Al-Jazeera Foreign Correspondent. Wall Street Journal. Retrieved from: http://blogs.wsj.com/chinarealtime/2012/05/08/china-expels-al-jazeera-correspondent/
The author and speaker in the video, Carlos Tejada, speaking from Beijing, explains the situation in China at the moment, expanding on information given in the text regarding the expulsion of an Al-Jazeera journalist from China. Tejada explains that although the Chinese government have failed to give a reason, it is largely believed that the journalist’s work on a video regarding black jails in China attributed to her subsequent expulsion. There is an imbedded video of Melissa Chan’s video on black jails on the site, as opposed to on the other two sources. Tejada implies that this is the likely reason, and that officials in China are beginning to worry about foreign media coverage and their content, after Arab Spring, fearing a Jasmine Revolution in China. However, as Tejada is speaking as a journalist currently in China, his knowledge of the subject would likely be more accurate as the extent of the crackdown would be felt, highlighting that rules for foreign media organizations obtaining visas have become stricter. The interviewer states that China has not expelled a foreign journalist since 1998, but neglects to mention what this could imply for the future of foreign journalists in China. Tejada confirms that there is a tenser climate following Chan’s expulsion, by saying that China has already stated that foreign journalists need to obey the rules.


Osnos, E. (2012, May 8). China Expels a Correspondent. The New Yorker Blogs. Retrieved from: http://www.newyorker.com/online/blogs/evanosnos/2012/05/china-expels-melissa-chan.html
The writer, Evan Osnos, gives an opinion on what he thinks of Melissa Chan’s expulsion from China, stating in his opening sentence that ‘China is moving backwards’. Osnos, like Tejada, is writing from Beijing, but he provides a more in-depth conclusion that this will have on China’s relations with the rest of the world. Moreover, Osnos has been producing journalism and has studied Chinese policy for over fifteen years, and the majority of his work on the New Yorker centres on China, and controversial issues within it. Osnos claims that China’s decision signifies a move backwards, towards ‘Soviet-era strategy’, explaining that China cannot expect to contain or censor foreign journalists by expulsion if they want to maintain their claims that they are a soft power. Moreover, Osnos, as opposed to Tejada and Lee, goes on to quote from the Foreign Correspondent’s Club China, of which Melissa Chan was a secretary this year, which strengthens his argument as it provides us with the picture that the future of journalism in China is dismal. Osnos, like Tejada, says it is most likely due to Chan’s praised work on corruption in China. Osnos also provides more information on foreign journalists having problems with Visas, stating that over the past two years, more than twenty-seven foreign journalists have had a four-month approval wait for their Visas. Osnos asserts that this will hardly present China as an internationally friendly state.

Wen, P. (2012, May 9). China expels al-Jazeera TV journalist. Sydney Morning Herald. Retrieved from: http://www.smh.com.au/world/china-expels-aljazeera-tv-journalist-20120508-1yayj.html
Phillip Wen's article in the Sydney Morning Herald is also of Beijing origin, however, as opposed to the other two articles covering Melissa Chan's expulsion, Wen highlights more the reaction it has generated from agencies such as the Foreign Correspondents Club China, and this article presents us with a stronger sense of censorship regenerating in China, even though, as Wen states, this is the first occurrence for more than a decade.

Although there is no mention of the Communist Party in either Osnos nor Tejada's articles, Wen uses 'the ruling Communist Party' in his article, as opposed to writing 'the Chinese government', or alternatives. The use of the word Communist in that article brings up negative connotations and could give some people the view that China's policy is becoming more hardline and reflecting its previous Communist stance. Although hardline when it comes to human rights activists, China has, up until this point, worked towards promoting an atmosphere less tense than previous years. However, in the context of the recent Arab Spring and the implications that brought to government's, it is understandable that China could fear an uprising, only accentuated by journalists like Chan, whose work in China centred on corruption and Chinese 'black jails', which Wen does not state or imply, although it is made obvious in Tejada and Osnos' articles that this could lead to China's reason. 

Moreover, Wen neglects to cover in depth the effects that this may have in the future, although he mentions it in passing. 

Friday, 27 April 2012

Factual Storytelling

Here is the link to my factual storytelling video:

http://www.youtube.com/watch?v=Jve-bah0bm0


I was a bit confused as to what to make it on, because I missed the last tutorial before mid-semester break, but I decided to do my storytelling exercise on my best friend, Katherine.

Katherine's story really affected me emotionally. Even though I've known her for a year, and we've been best friends, still hearing how frustrated she is strikes a chord in me, and I find her story fascinating. I did it on this also because identity and cultural issues are things I have previously struggled with.


Thursday, 19 April 2012

I wish...

...I was at Coachella

http://www.theatlantic.com/infocus/2012/04/coachella-2012/100279/

and for more relevant Aussie news, HOW AWESOME IS THE SPLENDOUR LINEUP?!










The Kony Controversy

I wrote a Kony post ages ago, after Ali mentioned it. But I decided to hold on until today - the 20th April, 2012 aka 'Cover the Night', - well, rather tonight, where our streets are supposed to get plastered in posters.

Thankfully, I wasn't the only one who remembered, news.com.au did as well, and wrote an excellent article, viewed here:
http://www.news.com.au/national/its-kony-night-wait-kony-whos-that-again/story-e6frfkvr-1226334418948

I do not mean ANY offense to anyone through this blog post. I just think it is incredibly interesting that people think that they can change the world with just a click of a mouse. While what they achieved was admirable (poke fun at the campaign all you want, but the numbers speak for themselves), at the same time you can't help but wonder how many people actually know what they're talking about.

Well, I found the PERFECT picture on Pinterest which defies the purpose of my post, and completely defines all those people who never actually cared about ANYTHING political until if you didn't like it on facebook, you looked like you were either ignorant, cynical or insensitive.

All the hype has died down, thank heavens, because if I had to hear another rant about how I'm a bad person for not increasing awareness, I would have snapped. I, like many others, am wondering how all the Kony hype will fare after 1) Jason Russell's breakdown and 2) the month-long lack of Kony statuses.

Also, for additional info..

http://visiblechildren.tumblr.com/ is an excellent analysis of the Kony campaign.









Commercial Media vs Public Media

These two lectures were jam-packed with information. Everything Bruce said was new material for me, so I had to go over it a few times. There's not really a lot for me to elaborate on but I edited and uploaded notes below:

COMMERCIAL MEDIA 

What is commercial media? 

  • Profit driven media production
  • Non-government funded
  • Survives (and fails) on business success (as you can see through many newspapers etc closing down)
  • Generates audiences to grain profit through selling advertising to them. 
Major networks in Australia include:
  • News Limited, Fairfax, APN, Nine Entertainment, Win, Southern Cross Broadcasting, Ten
  • Also less obviously: Telstra, Ausstar, Optus and Macquarie Radio. 
Roles:
  • Commercial media is formed through subscription, sponsorship and subsidies. 
  • It's functions are used commercially (ie on radios), for propaganda (FoxNews in the States) and socially (for communities.)
  • Advertising (ie Zumba or the Aaaahh Bra)
Commercial media should include: 
  • A truthful account of events
  • A forum for exchange of comments and criticisms
  • Projection of representative pictures of groups in society
  • Presentation of the goals/values of the society
  • Full access to the day's intelligence. 

PUBLIC MEDIA


What is public media?
  • "Mission to serve or engage a public" "ultimate purpose is to serve the public and not to turn a profit" 
Major networks in Australia:  


Internationally:

Roles of public media: 


  1. To support the public and democratic processes
  2. To embed a 'public service ethos' 
  3. Value licence fee money
  4. "Weigh a public value against market impact" (BBC)
  5. Public consultation
Public media should involve these aspects:
  • Geographical universality
  • Universality of appeal
  • Special provisions for minorities
  • Distanced from vested interests
  • Special relationship to national identity and community 

Week 5: Sound Lecture

The sound lecture took me a while to get into. I think it was because I wasn't visually engaged with the lecture, and so it made it really easy to get distracted. I listened to it at least six times, and got through the entire thing once, shamefully. On the other hand, since I don't actually listen to the radio very much (except for occasionally Triple J), I found this lecture interesting.

Carmel Rooney interviewed Richard Fidler and Steve Austin about storytelling on radios. Richard said that he was part of a comedy group and on TV before he went into working on the radio. He explained that radio is a completely different medium - it's more difficult to make compelling and to draw people in. I agree that radio is more intimate - I always feel disconnected from the TV and like I am watching, not like I am or can be involved.

He spoke about interviews, and his 'interview-style' and how there aren't really set rules about what you say, in order to make interviewees feel comfortable and not like they are being bombarded by comments. I understand how that is, because sometimes you can hear the apprehension in guests voices when they are being interrogated almost. Richard also spoke about having to come up with new material and to constantly keep guests and listeners interested.

What I appreciate about the radio is that it incorporates everything - politics, news, humour, music, random facts, hilarious interviews and charismatic speakers.



worth a thousand words

This lecture was on picture stories and photo journalism.

Bruce discussed how pictures are used for factual storytelling. They're obviously very important for journalists as they are everywhere - photos, magazines, advertising - but also graffiti.

The history of pictures and their importance in storytelling (the Bible, stained glass windows, cave pictures), but also a few nice facts:

  • First published photograph in a newspaper in 1879
  • First published news photo in 1880, 
  • First colour photograph in the news was in 1936

I've always been a sucker for lomography cameras, and little disposable ones. But when instagram came out, I downloaded it. Someone's facebook status was "Instagram makes everyone an art student", which I think is true. Some people's photos make you cringe, others make you go aww, quite a lot are of banal sunsets,  but I think the best photos are the ones that leave you speechless. I love that there is a media platform that allows us to do this now.

Bruce showed us a few images in the lecture, but here are a few of my personal favourites:


These two photos were forever imprinted in my mind after studying the Vietnam War. I found that they were so emotive especially during the Vietnam War, where the media was so important in the turning point of the war. 

 Every girl wants to be swept off her feet, this just says it all. 


Growing up in Hong Kong, just a 40 minute train-ride away from the Chinese border, knowing this happened still shocks me. This photo still makes my hair stand on end, the terrifying juxtaposition of the four tanks versus this tiny figure. 


(all images taken from here)

Bruce talked about good photography, and asked what makes a good photo? 

  • Framing, focus, angle and point of view, exposure/light, shutter speed (so, so important for professional photography), and capturing the moment.
What makes a great photo? 
  • It pretty much comes down to the moment (also see above photos)
  • The Rule of Thirds/Golden Mean - a guideline to taking photos
Moving pictures 
The same elements from the first set of bulletpoints are important, but also:
  • Timing and editing
  • Getting 'the scene' 
  • Adding the sound aspect 
- News has been a big part of TV, and has evolved, for example the news started by reading news out loud to the screen, and has evolved now into implementing computer graphics and other elements. One of my favourite examples of this is the program NewsStream on CNN, which utilizes other elements of media to add to the story. 

- Visual journalists: You need to be able to shoot your own work, the new generation of journalism. 

I just wanted to end by sharing a couple of photos that are close to home (literally) for me, and a quote: 

“ Beauty can be seen in all things, seeing and composing the beauty is what separates the snapshot from the photograph" – Matt Hardy

Lion Rock, Hong Kong
Copyright © Rajé Hiranand 2012 

An instagram I took, from the Peak in Hong Kong